Mankind Divided subjected me to systemic prejudice countless times over my two play-throughs, yet its release trailer focuses on empowerment — showcasing all the superpowers you can use to conquer foes (which are limited in-game). This isn’t false-advertising, this is broad-shouldered video game advertising at its smartest. Square Enix knows players want “do what you want” simulators — regardless of whether or not they have themes of social injustice.
Power sells games.
Listen closely. The voiceover points to this power-focus: “If you try and rip the world apart, someone will always put it back together… You can kill freedom. But you can’t kill progress.” You are that someone and that progress is a super-charged robot fist — with a dozen beat-up-oppressor abilities.
You have to make players feel powerful and in-control. As such, Deus Ex games are in a bit of a bind: as stealth games where hiding and hacking are often preferable to all-out power-punching elbow-katana cyborg battles. But this is where we can learn from Mankind Divided’s lack of restraint and subtlety in the trailer: it harps on the power-usage. Then it builds towards the P.E.P.S.arm-gun-blast conclusion. It ends leaving viewers feeling like they can do anything (as Adam Jensen).
There’s a lot of challenges and problems to this. I could belabor Lord of the Rings’ “lust for power” theme or address how weird it is to cast a white guy (working for the most powerful people in the world) as a “victim” of social oppression. But that’s the game’s responsibility to handle with tact and nuance. The trailer’s job is to get players in the door — to make the would-be players feel the power to do as they will.
This “do-as-you-will” emphasis makes people feel like kings. And it’s why they pick up the controller to begin with.